{"id":34875,"date":"2022-03-17T12:41:13","date_gmt":"2022-03-17T11:41:13","guid":{"rendered":"https:\/\/glip.it\/uncategorized\/museo-fulcis\/"},"modified":"2023-03-29T18:24:35","modified_gmt":"2023-03-29T16:24:35","slug":"museo-fulcis","status":"publish","type":"post","link":"https:\/\/glip.it\/en\/realisations-en\/museum-en\/museo-fulcis\/","title":{"rendered":"MUSEO FULCIS"},"content":{"rendered":"

[vc_row][vc_column][vc_single_image image=”29164″ img_size=”full” el_class=”desktop”][vc_single_image image=”29704″ img_size=”full” el_class=”mobile”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

MUSEO FULCIS<\/h1>\n

MUSEUM<\/h2>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_column_text]Client:
\nFondazione Cariverona<\/strong>[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]Location:
\nBelluno<\/strong>[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]Architect:
\nAntonella Milani, Luigi Calcagni<\/strong>[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]Photos:
\nMarco Zanta<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”row-mille”][vc_column][vc_column_text]”An experience that has been enriched with a thousand nuances that have contributed to the professional growth of all the designers and professionals leading to the expected result: the new museum in the rediscovered building”.
\nArch. Antonella Milani<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”row-mille”][vc_column][vc_single_image image=”29167″ img_size=”full”][\/vc_column][\/vc_row][vc_row el_class=”row-mille”][vc_column][vc_column_text]The restoration and the conservative renovation of a historic monumental complex such as the Palazzo Fulcis was based on a methodology attentive to the cognitive process of the state of the locations. The analysis of the intervention has required a reflection on a central theme for the discipline: the question of the relationship between the exploratory phase of the building and that of the direct action on the pre-existence. Palazzo Fulcis is a building characterized by a complex stratification related to its different transformative phases from 1500 to 1990.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”row-mille”][vc_column][vc_column_text el_class=”tit-bordo”]<\/p>\n

A lively space, pride and joy for the city, an all-encompassing and prestigious experience<\/h2>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”row-mille”][vc_column][vc_single_image image=”29169″ img_size=”full”][\/vc_column][\/vc_row][vc_row el_class=”row-mille”][vc_column][vc_column_text]The restoration has revealed the original Venetian flooring that perfectly dialogue with the ceilings.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”row-mille”][vc_column][vc_single_image image=”29171″ img_size=”full”][\/vc_column][\/vc_row][vc_row el_class=”row-mille”][vc_column][vc_column_text]The lighting and special needs faced for the exhibition spaces have been particularly complex and diversified, both for the lighting aspects of the artworks and for the user safety aspects through lights and emergency indications.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”row-mille”][vc_column][vc_column_text el_class=”tit-bordo”]<\/p>\n

The guiding element has been the need to uniform and group the different types of lighting fixtures to enhance the restoration of the monumental complex, inserting them harmoniously into the rooms.<\/h2>\n

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Gallery<\/h2>\n

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\n\t\t\t\t\t\"\"\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t[vc_column_text el_class=”torna”]TORNA AGLI ARTICOLI<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”row-mille”][vc_column][vc_column_text el_class=”gallery”]<\/p>\n

Gallery<\/h2>\n

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